
| Native Title | 스트리밍 |
| Also Know as | Seuteuliming, Seuteuriming |
| Director | Jo Jang-Ho |
| Writer | Jo Jang-Ho |
| Distributor | Lotte Entertainment |
| Air Time | Friday |
| Content Rating | 18+ Restricted (violence & profanity) |
| Runtime | 91 minutes |
| Genre | Horror, Thriller, Mystery, Suspense, Crime, Adventure, Detective, Action, Picaresque |
| Language | Korean |
| Country | South Korea |
| Release Date | 2025-03-21 |
“Streaming” (native title: “스트리밍”) is a South Korean thriller written and directed by Cho Jang‑ho, starring Kang Ha‑neul as Woo‑Sang, the operator of Korea’s most subscribed true‑crime streaming channel.
Woo‑Sang livestreams cold case investigations on a fictional platform called WAG, where only the top streamer earns sponsorship money. His online fame spirals when he begins to livestream tracking a real-time serial murder. As viewer engagement escalates, he discovers the killer might be watching him. The lines between content and reality begin to blur in a dangerous crossfire.
The film provides sharp commentary on:
Opened at #1 in Korea with over 31,000 admissions on opening day and surpassed 94,000 admissions by March 26.
While the critical rating is a modest 5.3/10 (based on ~100 user ratings), many critiques highlight the film’s unnerving atmosphere and timely subject matter.
Kang Ha‑neul aimed for realism by minimizing scripted feeling, rehearsing livestream-style long takes – some up to 10 minutes – to evoke spontaneity.
Integrated live-chat audio cues and donation reactions directly into filming to heighten immersion.
Cho Jang-ho intentionally used the film to provoke critical thought about digital content consumption and the spread of unchecked online influence.
A meta-crime story about how crime is consumed – and exploited – via influencer culture.
Kang Ha‑neul delivers an immersive, character-driven lead performance under high technical challenge.
Reflects real-world anxieties over livestream ethics, digital voyeurism, and blurred reality boundaries.
Premiered in theaters across South Korea on March 21, 2025.
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