
| Native Title | 메스를 든 사냥꾼 |
| Also Know as | Meseureul Deun Sanyangkkun, Dark Legacy |
| Director | Lee Jeong-Hun |
| Writer | Jo Han-Young, Park Han-Shin, Hong-Young-Yi, Jin Se-Hyeok |
| Air Time | Monday–Thursday 24:00 |
| Content Rating | 18+ Restricted (violence & profanity) |
| Runtime | 16 episodes x 30 minutes |
| Genre | Crime, Horror, Picaresque, Psychological, Suspense, Thriller |
| Language | Korean |
| Country | South Korea |
| Release Date | 2025-06-16 |
| End Date | 2025-07-10 |
“Hunter with a Scalpel” (native title: “메스를 든 사냥꾼”) is a 2025 South Korean crime psychological thriller mid‑form series (16 episodes, ~30 minute each). Adapted from the novel "Hunter with a Scalpel" by Choi Yi-do.
Centers on Seo Se‑hyun, a brilliant forensic pathologist with antisocial personality disorder, who uncovers the signature killing methods of a serial killer on the autopsy table – methods mirroring her father’s, long believed dead.
To avoid becoming his next victim, she races to locate him before the police do – a tense father‑daughter manhunt that blurs the lines between hunter and hunted.
Explores a dark father‑daughter dynamic, where Se‑hyun’s battle is against both her father and her own inner darkness.
Merges crime procedural elements with visceral autopsy scenes and murder investigations.
The mid‑form style delivers intense, no-fluff storytelling.
Park Ju‑hyun trained physically for vulnerability and intensity; Park Yong‑woo researched real serial killers; Kang Hoon gained weight and consulted with police for his role.
If you crave taut psychological thrillers with familial twists, sharp forensic drama, and exploration of moral ambiguity, this series delivers.
Its international acclaim pre-release at Cannes hints at global appeal – and it’s already topping Korean Disney+ charts.
“Hunter with a Scalpel” offers a unique blend of emotionally charged crime storytelling, relentless pacing, and haunting psychological depth – anchored by standout performances and a chilling central conflict: where family, trauma, and survival collide.
Selected for the “Rendezvous” section at Cannes International Series Festival – among only four Korean works showcased.
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